What I don’t particularly like is that some critical functions have been relegated to the cloud.

And I was able to import the data, cull unnecessary points, and generally get the data set to a point where is was ready to go, all within the hour. All the tools are pretty self explanatory. The user experience design for ReCap is refreshingly simple. FLS file into the window was all it took to get me on my way. I happened to have some Faro data lying around from a recent project and was able to throw it into ReCap without any preparation at all. But its great that it’s there, and it most definitely helps for tracking cameras in shots. This also allows for pinpointing very specific points in the world - on top of GPS tagging, for when your location is important to the job.įor us in the film and animation world, we may not need that level of control. ReCap has automatic registration algorithms to help with that - but also manual tools in case the automated one fails. All these scans have to be registered to one another to make one cohesive scan.

Frequently, scans are generated from multiple positions to prevent laser shadows (where the laser gets shadowed by a FG object). Its critical functionality focuses on larger projects like construction and so forth, where accuracy is absolutely necessary. It may be derived from footage, like that from a drone, or it may be from a series of photographs from a DSLR.Īnd all that requires the efficient processing of that data.Īutodesk has a product called ReCap 360, which focuses on the importing of point cloud data - primary acquired from LIDAR scanners. Data might come from a LIDAR scanner, such as something from Faro or a structured light scanner from Artec or Mantis, or via a Kinect. Data acquisition has become an integral part of the visual-effects process.

Autodesk memento review